WATER | Grand Canyon
A hat tip to Ed Abbey and the magic of water in the desert. Shot in fall of 2018 on a river trip through Grand Canyon National Park.
“Water, water, water….There is no shortage of water in the desert but exactly the right amount , a perfect ratio of water to rock, water to sand, insuring that wide free open, generous spacing among plants and animals, homes and towns and cities, which makes the arid West so different from any other part of the nation. There is no lack of water here unless you try to establish a city where no city should be.”
– Edward Abbey, Desert Solitaire: A Season in the Wilderness
HIGH FLOW | 40k CFS at Crystal Rapid
Crystal Rapid roaring back to life during the 2018 High-Flow Experiment in Grand Canyon National Park.
See comparision photos and read the full story at http://www.danransom.com/TripReports/2018/12/high…
Additional timelapses: Rich Rudow
Music from Musicbed
Outside by The Seige
I’m Gonna Get What’s Mine by Graffiti Ghosts
ARCTIC REFUGE | Margaret Murie’s Testimony Before Congress
Conservationists have won the fight to keep oil drilling out of the Arctic Refuge more than 50 times. But in conservation, you only get to lose once.
Nicknamed the “Grandmother of Conservation,” perhaps no individual has fought harder for the protection of the Arctic National Wildlife Refuge than Margaret Murie.
The voice over from this film comes from portions of a testimony Margaret Murie delivered to Congress on June 4th, 1977 as part of the public hearings for HR39 – the bill that would eventually be signed into law in 1980 as the Alaska National Interest Lands Conservation Act (ANILCA).
ANILCA expanded the Arctic National Wildlife Refuge to 19.2 million acres, and designated 1.5 million acres of the coastal plain as area 1002 (ten oh-two). The 1002 specifically requires an act of Congress before any oil drilling is permitted.
For forty years, the GOP has fought to do exactly that. In late 2017, under the cover of tax reform, Republicans passed a tax bill that included a provision for opening the 1002 to oil drilling. Using a political procedure known as budget reconciliation, this bill passed the Senate with just 51 votes, instead the 60 required to overcome a Democratic filibuster.
Sparked by a desire to experience these wild untouched lands before they are permanently altered by seismic exploration and oil rigs, my friends and I set out to traverse the Refuge by foot and packraft. Our course would cover 180 miles, starting near the Continental Divide deep in the Brooks Range and ending at the Arctic Ocean, in the heart of the Coastal Plain and the 1002.
This is what’s at stake.
Special Thanks:
American Packrafting Association
Alpacka Raft
Moe Witschard
Brad Meiklejohn
And to my partners who shouldered massive loads so I could carry a bunch of camera gear for 13 unsupported days in the backcountry.
Video: Dan Ransom
Voice Over: Eden Bodnar
Music: Lights in the Sky, Caleb Etheridge
One-Trick Pony
The story of a canyoneer, public lands and a totally absurd New Year’s tradition in Bears Ears National Monument.
For the last fifteen years, Steve Ramras and friends have celebrated New Year’s Day in the icy slot canyons of Bears Ears National Monument. On December 4th 2017 President Trump rescinded the National Monument protection for nearly one million acres, including all of White Canyon and its tributaries. Through that lens, Ram looks back on fifteen years of tradition, and why shared experiences are the key to protecting these places for future generations.
Grand Canyon – A Time-lapse Film
Over the last eight years, Rich Rudow and I have been randomly collecting time-lapses in Grand Canyon National Park. I call it random, because we never really set out to make a time-lapse film. At least not at first. The goal was always just to spend as much time in the Canyon as possible, preferably on one of Rich’s harebrained adventures in some obscure corner of the park.
All told, this film represents more than a hundred nights in the backcountry, countless miles off-trail backpacking, more sketchy rappels than I care to remember, two broken cameras and a handful of flipped rafts. The times we actually made it to camp before sunset and it looked like it might pop off, we would throw a camera on a tripod and let it roll.
At some point in the last year, I realized we had well over 100 of these clips just sitting on hard drives. A couple of them were even shot on the original Canon 5D!
I’m excited to finally blow the digital dust off a few of these. This is eight years of my favorite Grand Canyon time-lapses condensed to less than four minutes.
Follow Rich on Instagram: https://www.instagram.com/richrudow/
Follow Me On Instagram: https://www.instagram.com/danransomph…
Official Website: https://www.danransom.com
Music licensed by Musicbed:
Light Continuum
by Pendulum Theory
Cameras used:
Canon 5d (yes, the original)
Panasonic GH2
Sony a6000 (the lightest of the bunch, shot the most backcountry scenes)
Sony A9
Sony A7rII
Motion Control: Dynamic Perception Sapphire Pro + Stage One PLUS
Hi Dan,
Some Impressive footage on your website. I am a cameraman and canyoneer myself for 20+ years, but I have hardly been filming in canyons, except for leisure things. I have an upcoming trip to film an outdoor TV programme where canyoneering will be part of the activities. What kind of camera do you take down the canyons? Besides the GoPro 5 or Sony X3000 as action cams on the helmets I am considering a Sony A7s2 with 18-110 F4 lens in some kind of waterproof jacket, hard to find a convenient one though. Out of the water I will be using the Sony F5 fitted with a cinezoom.
What would you suggest?
Bruno Peeters, cameraman
belgium
Dan, I need your email to inquire about if you would be interested in producing a film with us over here at Canyonlands National Park. hit me up